1,369 Royalty-Free Audio Tracks for "I Got An A"

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

The Star Spangled Banner

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:1:2

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:1:6

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76

*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75

*Just augmented third on C = E♯. 125:96 = 456.99 cents. Limit: 5-limit.

*Acute minor sixth on C = A♭+. Just: 81/50 = 835.19 cents. Limit: 5-limit. MIDI pitch bend: 33,75

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Sing we and chant it, Thomas Morley's version of Gastoldi's A lieta vita

Italiano: Don Giovanni Berry, Walter (ruolo: Baritono; Masetto) Böhme, Kurt (ruolo: Basso profondo; Il Commendatore) Corena, Fernando (ruolo: Basso-baritono; Leporello) Coro dell'Opera di Stato di Vienna (ruolo: Coro) Danco, Suzanne (ruolo: Soprano; Donna Anna) Da Ponte, Lorenzo (ruolo: Autore del libretto) Della Casa, Lisa (ruolo: Mezzosoprano; Donna Elvira) Dermota, Anton (ruolo: Tenore; Don Ottavio) Gueden, Hilde (ruolo: Mezzosoprano; Zerlina) Krips, Josef (ruolo: Direttore) Mozart, Wolfgang Amadeus (ruolo: Compositore) Siepi, Cesare (ruolo: Baritono; Don Giovanni) Orchestra dell'Opera di Stato di Vienna (ruolo: Orchestra) Čeština: Wolfgang Amadeus Mozart: Don Giovanni, diriguje Ferenc Fricsay, zpívají Cesare Siepi jako Don Giovanni, Kurt Böhme jako commendatore a Fernando Corena jako Leporello. Wolfgang Amadeus Mozart: Don Giovanni (conducted by Ferenc Fricsay). "Don Giovanni, a cenar teco", with Cesare Siepi as Don Giovanni, Kurt Böhme as the Commendatore and Fernando Corena as Leporello. Македонски: Извадок од операта Дон Џовани (1787) на В. А. Моцарт. Don Giovanni, a cenar teco z drugiego aktu opery Don Giovanni Wolfganga A. Mozarta w wykonaniu orkiestry Wiedeńskiej Opery Państwowej pod dyrekcją Josefa Kripsa. Śpiewają: Cesare Siepi jako Don Giovanni, Kurt Böhme jako Komandor z Sewilli oraz Fernando Corena jako Leporello. Увертюра Don Giovanni, a cenar teco m'invitasti из оперы «Дон Жуан» Вольфганга Амадея Моцарта (2-ое действие, 5-ая сцена). Запись 1955 года в Венской государственной опере. Партии исполняют: Командор ― Курт Бёме, Дон Жуан — Чезаре Сьепи, Лепорелло ― Фернандо Корено. Дирижирует Йозеф Крипс.

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:3:11

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:3:10

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

Ein Lämmlein geht und trägt die Schuld (An Wasserflüssen Babylon), Evang. Gesangbuch 83

Ode to Joy. Hymne à joie de Beethoven. Euskara: Alaitasunaren oda. Slovenščina: Beethovnova Oda radosti.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

Pictures at an Exhibition - Promenade (allegro giusto...)

Ort: Vapsten (sameby) / Tärna (socken)

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:2:13

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:2:12

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

We just got a. . . . Letter? oh no. . . .

C-A-F-F-E-E, dreistimmiger Kanon von C. G. Hering

Shave and a Haircut in G with chords. Triplet swing.

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Shave and a Haircut in G. Triplet swing.

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

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Waltz in A minor, B. 150, KK IVb/11, P. 2/11, often designated as No. 19, is a waltz for solo piano

Mazurka no. 4 in a minor, op. 17

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Torna a Surriento

Just my bike's bell. Recorded using a Zoom H2.

Ort: Vapsten (sameby) / Tärna (socken)